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Personal

1997

It was 25 years ago this week that I first went to China, which makes it that much more interesting that it coincides with me moving there now.

Back in the summer of 1993, I was two years into a Mathematics Specialization university degree, and I was dealing with the fact that I did not want to continue to study mathematics. At the same time, I didn’t know what I wanted to study, and so I decided to take a year to try out a variety of classes, to try and find some new direction. That summer was when I first watched the film The Last Emperor (which led to an obsession with the films of Zhang Yimou) and it’s what inspired me to take a history class on Chinese communism.

The result? I took another history class in the following semester (related to Japanese history), and then a year later declared a Major in History at that university, which was in my hometown. After I graduated with a Bachelor of Arts in 1996 (with a Minor in Mathematics, since I had enough credits — although I was actually missing 1 credit, and so had to take another math class during my final semester, which was hell). I then decided to go to Montreal to enroll in an East-Asian Studies program, focusing on China, which is what led to my first opportunity to visit that country.

There was a summer study abroad program between two universities in Montreal (Université de Montréal, where I was studying, and McGill University), and Nankai University in the city of Tianjin, China. It was a 10-week summer program where you would go to Tianjin and follow Chinese language classes every morning, with the credits recognized at home.

Then, a funny thing happened.

I met my wife on the very first day I was in Tianjin. I didn’t even know she was Japanese at the time (before speaking to her). It took a few weeks before we started dating, but that led to one of the biggest decisions in my life: at the end of the 10-week program, as everyone flew back to Canada, I didn’t. I enrolled at the university to continue my Chinese studies. It also meant that I had to renew my visa, which needed to be done outside the country, which led to my first visit to Japan.

One of the earliest photos I have of my wife and I, taken at Nankai University in Tianjin.

In the summer of 1997, in July, I decided to take a boat to Japan, where I would arrive in the city of Kobe, which is where my wife was from (and she had returned there during the summer). It was a two-day boat ride (which turned into a three-day boat ride on the way back, as we got caught in a tsunami), and that resulted in a fantastic two-week visit to Kobe and Tokyo (where I went to the Chinese embassy to change my visa).

The rest, as they say, is history. I later moved to Tokyo in May of 1998, and lived there for a two-year stint, before returning to Canada for a year, and then going back for close to 15 years (until 2015).

So early May is always quite nostalgic for me, as it marks these big turning points in my life, and although we landed in Shanghai on March 28, our quarantine period and city-wide lockdown means that we’re still in a hotel, waiting to get started on our new life here. In early May.

(Being in China in 1997 also meant that I had the opportunity to be in Beijing near Tiananmen Square as the official handover of Hong Kong took place, but that’s a story for another post.)

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Personal

To Move or Not to Move

Weren’t you supposed to move to Shanghai?

I sure was, and I still am, but since accepting my new role at Ubisoft Shanghai back in May (and then starting to work for the studio at the start of July), we finally (hopefully) have more of an idea of when that’s going to happen.

Indeed, ever since the start of summer, we have been without news on when we would be able to apply for visas (for both my wife and I) to make the move. When I accepted the role, the thought was that things were going to start re-opening towards the end of summer, but then the world didn’t suddenly start getting better as many of us thought. Enter the delta (and more).

That meant that things were getting trickier and trickier for us here in Montreal. Apartment leases here are for 1 year, and you are unable to break them, and so are responsible for that rent until it’s over (you can try and sublease, but that can be challenging as well). My latest lease was over at the end of May, and I of course didn’t want to renew for another year, and so managed to negotiate with my apartment building administration to stay a few more months (until we could move). That was great for the summer, but I was recently informed that this was no longer possible, and would have to now commit for a longer period. What to do?

Luckily, 2 weeks later we got news that China was re-opening the visa process — as well as the news that China would now recognize WHO-approved vaccines — and so we’re up and running again in terms of the application process. Before that, we were even floating the idea of moving to Japan for a while (as a call to the Japanese embassy had revealed that I am currently able to apply for a spouse visa), to then move to China when things would open up again. It would at least have put me in the same timezone, making it easier to connect with my colleagues.

So when are we moving? It’s still not a given, and there are multiple parts to the process that are estimated to take at least 2-3 months. This means that if everything goes well, we could look at a move towards the end of the year — January being the most likely.

This is all incredible news for us, because it finally gives us a tentative timeline on when we might finally be able to make this move happen.

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Personal

To Shanghai

I’m moving to Shanghai.

Well that’s something. After six years here in Montreal, we’ve (my wife and I) decided to embark on a new adventure, and one that involves a return to Asia. It’s not a return to Japan, that I think many would have expected, but rather a return to China, which is how I started my Asia adventure in the first place.

May has turned out to be a defining month in my life — on top of the fact that it’s my birth month. It was in May 1997 that I first went to China, to the city of Tianjin for what was supposed to be a 10-week study program (an exchange program between my university in Montreal and Nankai University), and saw me changing my plans and remaining there until the end of the year. It was in May 1998 that I moved to Tokyo, which would become my home for over 15 years. It was then in May 2015 that I moved to Montreal to embark on a new journey working in the games industry (first at Eidos/Square Enix, then at Ubisoft).

And now, in 2021, it’s in May that I’ve accepted an offer to take on a new role at the Ubisoft Shanghai studio — I’ll start this new role in the summer, with the move happening when our visas our sorted, which we expect will be towards the end of summer, maybe September. After two years working in esports, this will also mark my return to game production — my new role, Production Services Manager, is a transverse role within the studio, working closely with all of the production services teams that support all of the production teams at the studio.

Why this move? After six years in Montreal, we felt like it was time to move on and experience something new. I’m incredibly thankful for the time I was able to spend at both Eidos Montreal and Ubisoft Montreal to “level up” this new career in games I embarked on not that long ago, but at the same time it hasn’t been as productive a time for my wife, in good part due to language issues, but we’ve had other challenges to deal with in our time here, and so we decided it was time for a new adventure in another city.

Why China? As I mentioned earlier, my first stop in Asia was in fact in China, as part of the East-Asian Studies program I was enrolled in at my university, which focused on the Chinese language and culture — and my time at Nankai University in Tianjin was spent studying Mandarin. It’s also where I met my wife, who was also studying Mandarin at the same university — and who, unlike me, continued to use it as part of her studies in the years following our move to Japan. So even though I have never been to Shanghai, I am excited at the prospect of rebuilding my Mandarin skills, and for my wife it means a chance to explore new opportunities in a language and setting that she knows very well. I’m also thankful to work in an expansive global company like Ubisoft, that let me find an opportunity like this, and that allows me to continue to build on the years of experience and contacts I’ve accumulated over my five years here.

So there it is, 2021 is turning out to be a big year for me, as I was hoping it would — it’s maybe a good sign that we’re in the Year of the Ox, which is my Chinese Zodiac.

Categories
Anime Film Personal

20 Years Ago

My friend Kyle tweeted out that today marks 20 years since the release of the film The End of Evangelion (July 19, 1997). I actually got to see it in theaters in Tokyo that summer, as part of my first visit to Japan, and this made me think back at how much my life changed that year.

It was at the start of May 1997 that I went to the city of Tianjin, China as part of a 10-week program to study Chinese at Nankai University — along with a group of students from McGill University and the Université de Montréal (where I was studying in their East Asian Studies program). The first day I was in China, I would meet the Japanese woman who is now my wife (it took a few weeks before we actually got together though). At the end of the 10 weeks, the entire group returned to Montreal, but I decided to stay — yeah, because of the girl — and so enrolled at the university there to continue my Chinese studies.

During that summer, my wife had returned to Japan (it was the university’s summer break) and I decided to go visit her for two weeks. That would be my first visit to Japan, a place I would later call home for over 15 years.

My wife is originally from Kobe, and so that’s where I went. By boat. It was a two-day journey from the port of Tianjin to the port of Kobe, and it was an amazing way to slowly take in Japan, small island by small island, until we reached the port. I still have vivid memories of listening to Fugazi’s Repeater on my walkman, while taking in the sight of Kobe as we approached.

I stayed a couple of days in Kobe, but for the majority of the trip we were in Tokyo, staying at one of my wife’s friends. It’s during that trip that I got to go see The End of Evangelion, which was my introduction to the series — I knew zero Japanese, and considering how, ahem, narratively adventurous that movie is (especially the ending), you can imagine what a trip it was to take in. That July also marked the release of Ghibli’s Princess Mononoke, which I also went to see at the theater (and as I mentioned recently, it may have been my first taste of Ghibli).

I still have quite a few vivid memories from that trip — like the first time I watched Mecha Mecha Iketeru, a comedy series on TV starring the comedy duo of 99, who I’ve continued to love for 20 years. I also bought a PlayStation while I was there to bring back with me to China, and the first words of Japanese I really learned where while playing Tomb Raider and Castlevania: Symphony of the Night in Japanese.

After the trip, we both returned together to Tianjin by boat (this time taking 4 days because of a tsunami), and would end up staying in China until the end of that year — at which point we went to Montreal for one semester so I could get the missing credits I needed for the program I was doing, before moving to Tokyo at the start of May 1998.

I’m certainly thankful for the interesting journey my life has taken, as well as for all of the unexpected swerves I’ve decided to take a chance on and follow.

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Debaser Uncategorized

The Assassin

I was deeply affected by this movie. My first steps to Asia were taken after I enrolled in an East-Asian Studies program, focusing on the Chinese side, which led me to studying in China. Chinese cinema – especially the work of Zhang Yimou, and but even a film like Bertolucci’s The Last Emperor – contributed greatly to my infatuation and desire to study that culture, and for a long time I remained a big fan of that region’s filmmaking (China/Taiwan). It’s something that I’ve left a bit behind over the years, but the talk surrounding Hou Hsiao-Hsien’s The Assassin had me longing to see it – it also didn’t hurt that one of my favorite actresses, Shu Qi, is in it – and I was not disappointed. The Assassin is one of the most beautiful films I’ve seen, and I was just constantly wowed by the choices the director made – not showy, and even slightly off, yet always mesmerizing. It’s also another interesting take on the tradition of kung-fu cinema, coming off as more arty than something like Crouching Tiger, Hidden Dragon, which although beautiful, still felt like an action film. It may not be for everyone, but I watched it in a trance-like state, and can’t recommend it enough.