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Debaser

Torn Curtain

Last night’s entry in my Sunday night Hitchcock marathon was this one, which I had absolutely no memory of, in terms of the story (even though I know I watched it at some point in my life). It could have been an OK spy thriller, but uncharacteristically, it doesn’t feel well put together, and there are some scenes that are just painful to watch — like the confrontation between Newman and the German agent tasked to follow him, as well as some of the way-too-long focus shots on Julie Andrews’ face when she’s supposed to answer something. Someone pointed out an article to me after I watched it that suggested that Newman and Hitchcock were at odds during shooting, and that Hitchcock didn’t even really want him and Andrews in the film (the studio wanted big stars). I didn’t dislike watching it, but it’s certainly the weakest of the Hitchcock films I’ve re-watched so far.