I’ve already highlighted the art of Yuko Shimizu on this site — hey, even back in 2003 — but this tweet acts as a good reminder that she continues to be a fantastic illustrator whose work is a joy to take in.
The joys of losing posts.
Last night I wrote a long post about my recent frustrations with the digital edition of Edge magazine, as of the latest issue. I was even positioning it as a sort of return of The Magaziner (the site I used to run about magazine culture). But I somehow lost the post before I was able to post it, and I don’t feel like writing it again.
I think it may have been a sign that if I am to bring back The Magaziner, I should do it properly, with its own site, structure, etc. I’d been feeling the itch of late to bring it back, but had let the domain expire earlier this year, and when I checked recently, found that it was grabbed by someone who just wants to sell for a grand.
Who needs domains anyway, in this day and age. It’s vanity more than anything else. And besides, I still have JeanSnow.net.
Knock on wood.
*JeanSnow.net is no longer available*
(That’s what I imagine happening any second now.)
So that’s that, The Magaziner will remain in hibernation for the time being, until I have a really good idea on what to do with it. And hey, PauseTalk isn’t dead.
Dead Collector: Bring out yer dead!
[A large man appears with a (seemingly) dead man over his shoulder]
Large Man: Here’s one.
Dead Collector: Nine pence.
“Dead” Man: I’m not dead.
Dead Collector: What?
Large Man: Nothing. [hands the collector his money] There’s your nine pence.
“Dead” Man: I’m not dead!
Dead Collector: ‘Ere, he says he’s not dead.
Large Man: Yes he is.
“Dead” Man: I’m not.
Dead Collector: He isn’t.
Large Man: Well, he will be soon, he’s very ill.
“Dead” Man: I’m getting better.
Large Man: No you’re not, you’ll be stone dead in a moment.
Hopefully I don’t need to explain where that comes from.
So yes, no big post about the incredibly horrible new digital edition of Edge (it’s basically a PDF now with a few links, and doesn’t remember your spot if you exit the app and come back), no return of The Magaziner (although if you like magazines, take note that the current issue of all Conde Nast titles on iPad are free right now, until November 30, and that includes Wired and The New Yorker), and I’ve probably rambled on enough.
Can someone please explain to me what the hell DC Comics is thinking when it comes to the promotion of its Vertigo imprint? Vertigo is the home for creator-owned mature series over at DC, and its currently on a roll with a good number of great regular series (DMZ, iZombie, Northlanders, Sweet Tooth), as well as a growing line-up of one-shot graphic novels. These are the kinds of books that people who don’t usually read comics would probably like, and yet Vertigo’s website makes absolutely no sense for non-comics readers. The only pages found on the site are for individual issues, which is fine for a graphic novel, but not for a series. Last week I read through the current run of The Unwritten (#1-17), and wanting to recommend it to people, I had to link to the Wikipedia page because there was no decent page to link to on the Vertigo page, that would explain properly what the series was about.
Something needs to be done in order to give new readers — anyone who’s heard of a series and wants to know more about it — a place to do that. And even though I’m not a particular fan of all the publisher-specific iPad apps out there (all spinoffs of the Comixology app), the one that would make the most sense is a Vertigo-branded one, for people who have absolutely no interest in the super-hero fare that DC Comics mostly publishes. Sure, you can buy the Vertigo books through the DC app, but the mainstream audience that you could get reading these book are not going to find them there.
Pictured, the cover to The Unwritten #17, illustrated by Yuko Shimizu, who has done all the covers for the series. That particular issue is rather amazing, presented in the form of an actual choose-your-own-adventure story (but I do recommend reading everything that comes before it first).