Game Boy 001

As I wrote at the start of the year, I want to try something new this year on my blog, and so I’ve decided to try writing a weekly column/post, starting today.

I’ve quite enjoyed the past year and a half of blogging I’ve done, after a hiatus of a few years. I liked the exercise of writing regularly again, and it was fun to re-connect a bit with Japan (since the posts were mostly about Japan-related art, design, and culture, just like I did back in the day). But at this point, even though I’m still very much in love with those things, I’d like to write about something that is more connected to my current reality.

So what will I cover in these weekly posts? I’m not exactly sure yet, but it should mostly cover my reality of working in the games industry here in Montreal. We’ll see where that goes, but I imagine it’ll touch on events I attend, things I’m involved in — the public types of things — and whatever else I want to write about.

As for why I want to do it on a weekly basis, that’s actually what I was doing when I first started writing on the web — it was in the guises of a weekly column called “Johnny Sushi” that I was writing about my life in Tokyo (back in 1998), as part of a site I had built with a friend called Acadiespatiale.com (which is long, long gone), that was a celebration of Acadien culture (Acadiens, or Acadians, of which I am one, being the French-speaking people of the maritime region, mostly found in the province of New Brunswick).

And unlike what you might think, using the name “Game Boy” for the series isn’t a nod to Nintendo’s classic portable console — which is in fact the only mainline Nintendo console I never owned, although I did have a Game Boy Color (the model pictured) — but rather is in reference to the “Tokyo Boy” name I regularly used for a lot of the mini-blogs I ran on this site over the years.

My plan is to publish these every Wednesday. We’ll see if that sticks.

Winter 2018 Anime Season

After rekindling my enjoyment of watching anime on a regular basis in 2016, 2017 ended up being a huge bust for me — most seasons had little if nothing I wanted to watch, and the shows that did look interesting to me didn’t keep me watching for more than an episode or two. This last season sounded promising, and again, I was disappointed by everything, including Inuyashiki, which may be fine, but after one episode I didn’t really feel the urge to continue (even though I really enjoyed the manga series). But I haven’t given up yet, and although I’ll again say that I’m actually excited by a few series for the winter season, I’ve already watched the first episode for three of them, and it’s off to a good start. Here’s what I want to check out this season (as always, I get my info from AniChart).

Kokkoku
I watched the first episode of this today, and really loved where it ended. We’re presented with a family that is entangled in a kidnapping, and to address this, the grandfather manages to stop time — and that’s just the start of how interesting things get, when everything doesn’t go according to plan. I’m definitely looking forward to watching the second episode.

Ito Junji: Collection
I absolutely adore the horror manga of Junji Ito, and was so excited when they announced this anthology series — each episode is based on a short story by Ito. I watched the first episode, and it was fantastic. This was a safe bet for me, but I’m still glad it delivered.

Devilman Crybaby
This is a Netflix original that launched this past Friday. I’ve never watched any Devilman series (or read any of the manga), but as soon as I saw that Masaaki Yuasa was directing it, I got excited. I watched the first episode, and it definitely feels like something that is straight out of the mind of Yuasa (especially in style) — I’ll admit that it was quite a bit more sexualized than I was expecting. I’m looking forward to watching the rest.

B: The Beginning
This is another Netflix original, and it’s only set to come out in March. Sounds like a mystery/thriller — chasing a serial killer — in a high-tech setting. Definitely the sort of thing I might like, and it’s by Production I.G, so will check it out.

 

Analoging Into 2018

The start of a new year is a fun time to lay down some new initiatives. Call them resolutions, call them whatever you like, but I find that writing down something like this in the new year helps to focus on what you want to prioritize.

The biggest thing for me is something that I began doing in recent weeks. Over the past few years, I’ve found myself trying to digitize most of my media consumption. Leaving Japan marked the biggest push in that I got rid of most of my belongings — meaning all my books, games, CDs, etc. — and since being back in Canada I’ve felt like keeping that “luggage-less train” going.

I don’t want to suddenly start buying lots of physical goods, but I have been wanting to start rebuilding my board game collection — I’ve bought a few things here in Montreal, but mostly small 2-player card games — and in terms of books, I’d like to start building a nice reference collection of game-related books (like the nice coffee table style retrospective books I’ve drooled over in recent years).

I also want to write more. With a pen. On top of taking lots of notes in a notebook/notepad again — something I used to do a lot, but did digitally instead in recent years — I picked up a paper agenda for the year, something I haven’t done in years (I got this one).

I also want to get back into doing personal projects. It’s something that was a big part of my life in Tokyo, but then with the big move and change in career, it was put aside to better concentrate on this new personal journey. But as I wrote recently, attending a few events have rekindled my interest in being part of that sort of thing, and so we’ll see what happens — among other things, fingers crossed on a relaunch of the PechaKucha Night series in Montreal happening.

As for this site, following my return to blogging in 2016, I think it’s time to find a new thematic focus for the coming year. As much as I still love so many aspects of Japanese design and culture, it’s no longer my everyday reality, and I’d like to write a bit more about things that are part of my current “world.” I’m not quite sure what that’s going to look like, but it’s something I’ll be exploring over the coming weeks and months.

After living/studying in China in 1997, I moved to Tokyo in 1998, which impacted the following 15+ years of my life. Twenty years later, in 2018, I’m in a very interesting place professionally (I can’t wait to get back to work tomorrow to continue on the various initiatives I’m involved in there, and seeing what else I can do to shake things up), and I’m excited to push myself even further on various fronts.