Tag: alfred hitchcock
-
Alfred Hitchcock
—
On top of my year-based movie watching — I’m currently still in 1978 — I enjoy watching through other series of films as a Sunday night tradition. Following Bond and Indiana Jones, over the summer I decided to revisit a large chunk of Alfred Hitchcock’s work. I stuck to his color output (with the exception…
-
The Trouble With Harry
—
This is a really fun Hitchcock film, and I think the only out-and-out comedy of his that I watched during this revisit. What I’ve always especially loved is the fall setting, with gorgeous colors throughout thanks to the leafy environments. And the whole setup really is fun and funny, and all the characters are a…
-
Family Plot
—
This was Hitchcock’s final film, and I didn’t have any particularly fond memories about it. Re-watching it, I feel pretty much the same way — it’s not horrible, but it’s not particularly good either, and I really dislike Bruce Dern’s character in this, with his over-the-top manic delivery. Wouldn’t really recommend it to anyone, but…
-
To Catch a Thief
—
This is definitely the lightest of the Hitchcock films I’ve re-watched so far, more on the comedic/romantic side, but with a slight dose of mystery (who is this thief everyone is trying to catch). The star here though is the amazing scenery of Nice and its surroundings, beautifully captures in “Panavision.” It wasn’t one of…
-
Topaz
—
Last week’s Hitchcock film was Topaz, which I think is a much better spy thriller than Torn Curtain. I quite like this movie, and it shows just how diverse Hitchcock could be — we celebrate him as the “Master of Suspense,” but I think he covers quite a few genres, and is just as good…
-
Dial M for Murder
—
Last week’s Hitchcock film was this one, which is another one of my favorites. Based on a play, I do love the constrained setting — not as extreme as Rope — and the interactions between the characters is really thrilling to watch.
-
Rear Window
—
Continuing with my Sunday night Hitchcock revisit, a couple of weeks ago I watched what is possibly my favorite Hitchcock film — and it’s one of the reasons I waited so long to watch it, since I’ve seen it so many times. It’s a masterpiece in terms of construction and execution, and the frequent no-dialogue…