And so here we go. Following all of the the year-based movie marathons I’ve done so far this year (1985, 1967, 1986, 1977) I kick off what I imagine will be the last one I do this year: 1985. I have a massive list of stuff I want to watch (60+ I think, but I won’t necessarily watch all of that), and I was pretty excited to start with Predator, an action classic of the era, and a film I hadn’t revisited in decades. I think it’s aged pretty well — sure, you get the cheesy 80s machismo, but that’s part of the package I was expecting, and the action itself (and build up, especially) is still quite enjoyable to watch.
The second great documentary I watched last week (following the Clive Davis one) was the Spielberg documentary that aired on HBO. It’s a really fantastic look at the man’s career, and makes you appreciate even more what he was able to achieve through his life’s work (so far). Unlike the Clive Davis one, I didn’t really learn anything new here, but I quite enjoyed the look back at the films I grew up watching, with interesting comments coming from his collaborators. Well worth watching.
My first taste of Dario Argento was watching Phenomena earlier this year (yeah, I know, kinda silly that it took me so long) as part of my 1985 movie marathon. I ended up not liking that movie at all, but even then I knew that Suspiria was considered his true classic. Well, it is indeed, and I found myself really enjoying it. From the insanely insane (and spooky, and groovy, and…) soundtrack by Goblin to the creepy cast and decor, this was very entertaining to watch — sure, the horror elements aren’t as shocking as I’m sure they were at the time, but I could appreciate the intensity of what was happening. Most of the acting is still pretty bad (apart from the main character), and the voice dubbing is distracting, but that didn’t get in the way of my enjoyment of the film as a whole.
I was really expecting not to enjoy watching this — I knew that I loved it as a kid, but I was sure it would feel too corny and probably unfunny to me now. Lo and behold, I had an absolute blast watching it again. Sure, a lot of it is nostalgia — and finding comfort in a lot of the gags that I actually remembered — but from the classic theme song to the charisma of Burt Reynolds and company, and the exciting car chases, I won’t lie, I liked it a lot (for what it is, a silly comedy of the era).
Look, this was never a good movie, but as a kid, it was a pretty crazy movie to watch, and that’s probably more because of the nudity (boobs galore) than for the comedy. As a kid I loved the Zucker-Abrahams-Zucker stuff (Airplane, Top Secret, Naked Gun, etc.) and this is pretty much a proto version of that. How has it aged? Well, not particularly well, and there are bits that are way too long and boring, but I won’t lie, there are still some good chuckles to be had here and there (the family that moves beyond the death of their son by still including his body in family activities), as well as some pretty biting commentary that still rings true today. I was also surprised by how many of the gags I still remembered (“show me your nuts”).
When I started watching this I wasn’t really feeling it, and immediately was thinking that it was going to be a bit of a slog to get through. Sure, I had fond memories of enjoying it when I was a kid, but I hadn’t re-watched in ages. Then, after about the first half hour, I started getting sucked in, and I was completely “in” until the end. This is still a fantastic take on the alien movie, and you can already see that Spielberg is really something special. I also love that it’s a movie that doesn’t really include much conflict, and the joy on Dreyfuss’s character’s face when he gets chosen to enter the craft is just, well, joyous.
I’d of course heard of Clive Davis, and knew he was an important figure in the music industry, but I didn’t really know much more than that. Watching this new documentary that was produced for Apple Music, I found myself really enjoying finding out how big an impact he had on the industry, and the journey he had (from lawyer to head of a record label), and the artists that he pretty much guided to success. Doesn’t matter if most of the artists featured aren’t really what I’m into musically, I just found this documentary quite fascinating. Well worth watching.
I was looking forward to watching this because I’m a big fan of Sofia Coppola’s films, and it felt like forever since I’d last seen one — looking up IMDB, I see that her last film was The Bling Ring, back in 2013. As for this, I’ll say that I didn’t much like the story, but what kept me watching was the cinematography. There are some really beautiful shots throughout, especially of sunlight peeking through wooded areas, and long shots that place the characters beautifully. The lighting choices arde also interesting — the film uses natural lighting throughout, meaning all of the interior scenes (which make up most of the film) are really quite somber, which gives it an original look. So it’s probably Coppola’s film I’ve liked the least, but I still got something out of it because of how much I enjoy her work as a director.
I was really looking forward to watching this — the trailer they released for this film was one of the funniest things I’d seen. Having watched the full movie, I can’t help but feel disappointed. It was still mostly fun to watch, but the vast majority of the big laughs were all featured in that original trailer, which meant when the jokes came up I’d already seen them, and most of the rest of the movie was simply ho-hum. If you come at it having not seen the trailer, then you’re probably in for a lot of great laughs.
This is it, the film that gave us Arnold Schwarzenegger. As famous/infamous as this documentary is, I’d never seen it, and so didn’t really know much of what to expect (other than the famous scene where you see Arnie smoking a joint after he wins the title). I did enjoy this, although you have to take it more as a “slice of life/day in the life” kind of presentation on the topic, instead of something that really tries to examine and explain a particular topic. There’s barely any narration, and so it’s just mostly light interviews with all of the people involved, and the dialogue bits that happen as the cameras follow these dudes in their quest to, well, pump iron like no man has pumped iron before. But it was pretty entertaining, and yes, Arnie shines through, and it’s fun to see the machiavellian tendencies he reveals (“I can just tell him to do the wrong thing”).