I saw this stand-up special pop up on Netflix, and since I’ve found these two to be pretty funny in the past — mostly in cameos — I decided to watch it, and really liked it. It doesn’t have huge laughs, but I found myself constantly giggling throughout — I mostly like their laidback vibe, and the kinda stupid jokes they make (like the “OJ Joke Trilogy” bit).
I absolutely loved this series, and couldn’t wait for the second part of its first season to come out. Well, it’s out, it’s short (only 5 episodes), and now that I’m on the 3rd episode I can’t help but feel slightly disappointed. I’m still enjoying the performances immensely, but the story is falling flat for me. I kinda wish each episode was just wall-to-wall performances by the The Get Down Brothers.
This past Sunday I binged the entire season of Samurai Gourmet, a new series that was just added to Netflix. It’s a Japanese series that tells the story of a 60-year-old man who just entered retirement, and starts enjoying his post-work life through the lens of simple joys that he rediscovers, which pretty much all resolve around eating good food, while enjoying a good beer. I love this show to death — I think it’s because I’m completely going to be this guy at that point in my life (and I already tend to enjoy food the way he does). This is one of my new favorite series, and I really hope they make a second season.
Let me start by stating how I feel about the Marvel Netflix series so far: I thought the first season of Daredevil was fantastic, and I was especially wowed by Fisk and the great fight choreography; season 2 of Daredevil was a disappointment, and although I liked the portrayal of The Punisher, I felt that sticking him in court for a half a season was beyond boring; I very much disliked Jessica Jones, too dour with frustratingly slow development, and the only reason I watched the entire season was because I kept hoping it would right itself; I loved Luke Cage for the first half of the season, but then I felt it lost its way after they got rid of Cottonmouth. So Iron Fist, which arrives with horrible reviews. I used to be excited for this series — after seeing the exciting fight scenes in Daredevil, I thought we’d get that and more with Iron Fist. Alas, two episodes in, although I’m not hating the show like I did Jessica Jones, it is hugely disappointing to see such uninspired fight scenes. I don’t know if I’ll make it to the end of the season, but I’m at least still willing to give it a few more episodes.
The latest series I’ve been watching during lunch time at work with colleagues (I started a “Watch Club,” and so far we’ve watched Crazy Head and Medici) is Santa Clarita Diet, and I’m absolutely loving it so far (from the first two episodes). Funny as hell, and yet it gets pretty dark — and gory — but in a deliciously ridiculous way. Great job by both Barrymore and Olyphant — the latter a revelation as a comedic actor. Can’t wait to watch the rest of the season.
I’d never heard of Katherine Ryan, but I saw her Netflix comedy special, In Trouble, pop up while I was browsing for something to watch and was in the mood for some laughs. I ended up really enjoying her routine — I definitely do tend to enjoy crass comedy from female comics (think Sarah Silverman, Ali Wong, Amy Schumer). Ends up she’s Canadian and has been based in the UK for a few years, which probably explains why I hadn’t heard of her. Definitely worth watching, very funny.
Although I’ve heard of the franchise, I’ve never actually read or watched any Cyborg 009. I saw that a new series just debuted on Netflix, and so decided to watch the first episode. So far so good — the episode does a good job of setting up the whole thing, so I don’t feel like I’m missing out on anything even though I’m new to the series. Produced by Production I.G, it’s CG-animated with a traditional anime-look — sort of like what you see in Ajin and Knights of Sidonia, but I’d say not as successful. But it’s not to say that it looks bad, and I’m interested in giving it a few more episodes.
I was quite looking forward to watching this documentary series that just debuted on Netflix this weekend, following the tease from Scott Dadich in the latest issue of Wired (Dadich is Executive Producer on the series). I watched the first episode, covering one of my favorite illustrators, Christoph Niemann. It’s really well done, with slick animation used throughout to highlight the work, and I love the mix of interviews and staging to illustrate a point. Can’t wait to watch the rest.
I didn’t think I’d watch this series — although I was kinda interested when I heard it had a Twin Peaks influence, I didn’t think I wanted to watch an Archie show. But it popped up on Netflix (here in Canada), and so I thought it might be fun to watch with my wife (who likes mysteries, and Twin Peaks). Two episodes in, and I like it enough to keep watching — just like we watched all of the Scream TV show. I wish it focused more on the murder and mystery, but the cast is likeable enough (Jugghead is pretty lame so far though), and it’s actually really well shot, with some beautiful natural lighting at times. I do hope it gets darker and weirder.
For our lunch time “Watch Club” at work, after we got done watching Crazyhead, we moved on to this, and so far it’s been pretty good (we’ve watched the first 4 episodes of 8). It’s a pretty decent story, with a good cast, and hey, who doesn’t like watching Robb Stark. The only thing that bugs me a bit is that Dustin Hoffman is in this, and although he does a fine job in terms of acting, it just always annoys me when you hear an American accent within an entirely British cast, for a European period piece. But still, it’s quite good, and yet another show I’m thankful to see on Netflix.