I’m writing a post about something that was blogged by Momus, and suddenly I feel like it’s 2004. But no, it’s 2016, and I just came across his review of Yuichi Yokoyama’s latest manga, Iceland. The piece goes beyond said book, and does a great job of describing what is so interesting about Yokoyama’s work. But I don’t think you even really need to try and take in his work at that level — the graphic energy found in his books is reason enough to pick them up.
W. David Marx’s upcoming book on the popularity of the American Ivy League fashion style in Japan in the 60s, Ametora (short for “American Traditional”), comes out on December 1, and you can pre-order it from Amazon.
This is a project that David has been slowly cooking – let’s call it a crock-pot of a project – for quite a while, and seeing it finally get to a point where it’s almost out and already getting some great coverage – like a recommendation in the latest issue of Monocle, pictured in this post, and an excerpt in Lapham’s Quarterly – is really fantastic. There’s no one I know who is more knowledgeable about this topic – and to be honest, the history of modern fashion in Japan – than him (he even wrote a thesis on A Bathing Ape).
This all gets me feeling quite nostalgic. David is one of the very first friends I made when I first moved to Tokyo over 15 years ago. We became acquainted slightly before my arrival, through a Pizzicato Five mailing list, which is how I made all of my first friends in Japan.
Yes, even back then, electronic communications were a thing, imagine that.
Over the years we’ve each had our own entertaining journeys, and his involved producing some excellent music (under the Marxy monicker), and before launching the Néojaponisme website with Ian Lynam, he was quite well known for some epic online essays about Japanese culture that evolved into some of the most pointed and heated discussions, usually with Momus playing the role of foil.
So yeah, Ametora, can’t wait to read it.
I just posted something on SNOW Magazine about Momus‘ latest podcast, in which he talks about his new life in Osaka — he has recently relocated to the city. Momus used to do a lot of these talk-only podcasts, often recording them as he was walking around a city (Tokyo, New York, Berlin) describing the things he was experiencing. I really loved these “virtual tours,” and it even inspired me to do a few of my own.
Now in this new one — which he says “may” turn into a series, which I hope so — he mentions me, saying how he used to follow my blog back in the day, and he says how it’s interesting that when you look at pretty much all of the tweeting I do these days — which is admittedly a lot — that there is barely ever any mention of anything Japan-related. Now one thing that should be obvious is that I’ve moved all of my Japan-related art/design/culture content to SNOW Magazine, and the accompanying Twitter account, but there is something to what he says.
Momus states that it’s possible that after a foreigner has been here for long enough — I’ve been here for 10+ years — he starts losing interest in the things around him, and I can’t entirely disagree. I’m certainly no longer intrigued or surprised by the differences between Japan and other cultures. These have become routine for me. But I will admit that over the years my interests have evolved, and I’ve taken a bigger interest in things that lie outside of this country — you could probably count recent projects I’ve launched, like Codex and The Magaziner, as a reflection of this.
There was certainly a long period time where I was so obsessed and in love with all of the things I was seeing and experiencing in Japan that yes, it pretty much made up everything I was absorbing in terms of daily culture. But the past few years have seen me re-connecting with what’s happening in the rest of the world, and it has changed my perspective on things. Now, this is not to say that I don’t genuinely like what I cover on SNOW Magazine — I really do — but it’s also something I produce as a “project” now. As a whole, I’m just not as excited or intrigued by Japanese culture (meaning in art, design, culture, and more) as I used to be. Now whether this is due to me turning jaded or because of a general decline in what is being produced on the cultural landscape, that’s a topic for another post.
Does this mean I lose my Tokyo Boy crown?
Momus is indeed in Tokyo for a few weeks — as you’ll know if you follow his Click Opera blog, which has turned into a literal Tokyo/Japan lovefest since his arrival — and he also has a free show planned for December 22 (from 20:30) at the recently opened GM Ten Gallery in Azabu Juban, a space produced by Osaka designers Graf.
Starting December 20, the gallery will be hosting an exhibition of works by manga legend Eico Hanamura — here’s an interview with Hanamura on PingMag which was, believe it or not, published during my short tenure there.