Winter 2018 Anime Season

After rekindling my enjoyment of watching anime on a regular basis in 2016, 2017 ended up being a huge bust for me — most seasons had little if nothing I wanted to watch, and the shows that did look interesting to me didn’t keep me watching for more than an episode or two. This last season sounded promising, and again, I was disappointed by everything, including Inuyashiki, which may be fine, but after one episode I didn’t really feel the urge to continue (even though I really enjoyed the manga series). But I haven’t given up yet, and although I’ll again say that I’m actually excited by a few series for the winter season, I’ve already watched the first episode for three of them, and it’s off to a good start. Here’s what I want to check out this season (as always, I get my info from AniChart).

Kokkoku
I watched the first episode of this today, and really loved where it ended. We’re presented with a family that is entangled in a kidnapping, and to address this, the grandfather manages to stop time — and that’s just the start of how interesting things get, when everything doesn’t go according to plan. I’m definitely looking forward to watching the second episode.

Ito Junji: Collection
I absolutely adore the horror manga of Junji Ito, and was so excited when they announced this anthology series — each episode is based on a short story by Ito. I watched the first episode, and it was fantastic. This was a safe bet for me, but I’m still glad it delivered.

Devilman Crybaby
This is a Netflix original that launched this past Friday. I’ve never watched any Devilman series (or read any of the manga), but as soon as I saw that Masaaki Yuasa was directing it, I got excited. I watched the first episode, and it definitely feels like something that is straight out of the mind of Yuasa (especially in style) — I’ll admit that it was quite a bit more sexualized than I was expecting. I’m looking forward to watching the rest.

B: The Beginning
This is another Netflix original, and it’s only set to come out in March. Sounds like a mystery/thriller — chasing a serial killer — in a high-tech setting. Definitely the sort of thing I might like, and it’s by Production I.G, so will check it out.

 

Napping Princess

As I mentioned a couple of times on my blog, I’ve been looking forward to watching this (the Japanese title is Hirune Hime: Shiranai Watashi no Monogatari). I’m happy to say I wasn’t disappointed, and found it to be a delight — definitely in the vein of Summer Wars and Your Name, if you’re looking to compare it to something (but not necessarily has good as those movies). It’s a tale told in parallel (mixing fairy tale and reality), and it all works beautifully. Very much recommended (my wife enjoyed it as well).

Fall 2017 Anime Season

Following a couple of seasons that left me with pretty much nothing I wanted to watch, I’m excited for the start of the fall anime season because there are a few things that I’m at least interested in checking out. Based on what I saw listed on AniChart, here’s what looks interesting to me.

Inuyashiki
I’m a big fan of the manga series (by the same creator as Gantz), and I’m quite excited to see it animated, as there’s potential for some fantastic visual sequences. The fact that it’s part of the Noitamina block is a good sign too, since most of the recent series I’ve enjoyed have come out of it.

Juuni Taisen
Something to do with 12 warriors fighting in a battle royale tournament. The trailer makes it look slick and action packed, so I’ll give it a try.

Garo – Vanishing Line
Don’t know much about this series, but the trailer makes it look pretty good animation-wise, and the description is intriguing enough. I’m at least curious enough to watch the first episode.

Houseki no Kuni
The descriptions sounds kinda insane — about a new kind of lifeform that is gem-like who fights moon dwellers — but the animation in the trailer is gorgeous, so that makes me want to give it a chance.

Infini-T Force
In celebration of Tatsunoko Productions’ 55th anniversary, this is a CG series that looks like it’s bringing together characters from G-Force (that I loved as a kid) and Casshern. I’ll give it a shot.

Summer 2017 Anime Season

You may have noticed that I didn’t post anything about the current summer anime season, like I’ve been doing for the past few seasons, listing what I was interested in watching. Well, just like for the spring season, I just haven’t been able to find much I want to watch.

Interestingly, the only two new things I am watching are Gundam-related. I’m still watching the second season of Mobile Suit Gundam Thunderbolt, which is slowly getting released as OVAs, and so actually started in the spring. The other series is called Mobile Suit Gundam Twilight Axis, and the pace is even slower — it’s getting released as web shorts of a few minutes in length, once a month. I’m digging the visuals, but I find it hard to follow the story — it might be better to wait until they’ve all been released, and watch them in one go.

I’m not really complaining about the lack of series to watch though, as it gives me more time to catch up on the pile of stuff I’ve been wanting to watch. I’ve already spotted a few things I’m in interested in for the fall season though, and I’ll write those up just before the season starts.

Blame

I was quite looking forward to watching this film. I’ve never read the manga series it’s based on, but I quite like the stuff that Polygon Pictures has worked on of late (Knights of Sidonia, Ajin), and I really dig the cel-shaded CG they produce. I did quite like the visuals, but I somehow never managed to really get into it, and it took me a few viewing sessions to get through it — I was just kinda… bored. The setting is pretty bleak and lacks visual diversity, and there’s just not much that happens in terms of interesting storytelling. The action sequences are well done though.

20 Years Ago

My friend Kyle tweeted out that today marks 20 years since the release of the film The End of Evangelion (July 19, 1997). I actually got to see it in theaters in Tokyo that summer, as part of my first visit to Japan, and this made me think back at how much my life changed that year.

It was at the start of May 1997 that I went to the city of Tianjin, China as part of a 10-week program to study Chinese at Nankai University — along with a group of students from McGill University and the Université de Montréal (where I was studying in their East Asian Studies program). The first day I was in China, I would meet the Japanese woman who is now my wife (it took a few weeks before we actually got together though). At the end of the 10 weeks, the entire group returned to Montreal, but I decided to stay — yeah, because of the girl — and so enrolled at the university there to continue my Chinese studies.

During that summer, my wife had returned to Japan (it was the university’s summer break) and I decided to go visit her for two weeks. That would be my first visit to Japan, a place I would later call home for over 15 years.

My wife is originally from Kobe, and so that’s where I went. By boat. It was a two-day journey from the port of Tianjin to the port of Kobe, and it was an amazing way to slowly take in Japan, small island by small island, until we reached the port. I still have vivid memories of listening to Fugazi’s Repeater on my walkman, while taking in the sight of Kobe as we approached.

I stayed a couple of days in Kobe, but for the majority of the trip we were in Tokyo, staying at one of my wife’s friends. It’s during that trip that I got to go see The End of Evangelion, which was my introduction to the series — I knew zero Japanese, and considering how, ahem, narratively adventurous that movie is (especially the ending), you can imagine what a trip it was to take in. That July also marked the release of Ghibli’s Princess Mononoke, which I also went to see at the theater (and as I mentioned recently, it may have been my first taste of Ghibli).

I still have quite a few vivid memories from that trip — like the first time I watched Mecha Mecha Iketeru, a comedy series on TV starring the comedy duo of 99, who I’ve continued to love for 20 years. I also bought a PlayStation while I was there to bring back with me to China, and the first words of Japanese I really learned where while playing Tomb Raider and Castlevania: Symphony of the Night in Japanese.

After the trip, we both returned together to Tianjin by boat (this time taking 4 days because of a tsunami), and would end up staying in China until the end of that year — at which point we went to Montreal for one semester so I could get the missing credits I needed for the program I was doing, before moving to Tokyo at the start of May 1998.

I’m certainly thankful for the interesting journey my life has taken, as well as for all of the unexpected swerves I’ve decided to take a chance on and follow.

Working in Anime

Kotaku has a great interview up with Tokyo-based Thomas Romain, a French person who has been working in the Japanese anime industry for over a decade, and who shares his experience. As we all know by now, it’s a tough industry to make a living in (low pay, long hours) — and the interview reflects that — but it’s also an industry filled with passionate people who love the craft.

Lupin the Third: Goemon Ishikawa’s Spray of Blood

I watched this fantastic Lupin the Third film over the weekend, Goemon Ishikawa’s Spray of Blood (Chikemuri no Ishikawa Goemon) that tells the tale of how Lupin and his crew met up with Goemon. It’s a more adult take on the series, and features much tenser action than I’m used to seeing in Lupin stuff — think more along the lines of the animated sequence in Kill Bill — and I absolutely loved it. Great action, great character moments, and what made me even happier is that I later realized that it follows a Jigen movie from a few years ago, which itself is a follow-up to The Woman Called Fujiko Mine (Mine Fujiko to Iu Onna) series that I remember hearing about when it came out, but never saw — I watched the first episode and it was killer.

Another

We binged the entirety of this series today (12 episodes), which is based on a book by Yukito Ayatsuji, who is my wife’s favorite author (and I read his mystery novel The Decagon House Murders not too long ago). Ayatsuji is better known for his mystery novels, but this story is horror, although there’s certainly a mystery surrounding the whole affaire, which is capped with an ending I didn’t guess (same as Decagon). It’s a fantastic series, beautifully animated (while quite gruesome at certain points), with an opening theme song that is just insanely weird (and kinda suits the series). Highly recommended.